Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Vincent Van Gogh
L'Arlesienne (nn04)

ID: 24073

Vincent Van Gogh L'Arlesienne (nn04)
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Vincent Van Gogh L'Arlesienne (nn04)


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Vincent Van Gogh

Dutch Post-Impressionist Painter, 1853-1890 Vincent Willem van Gogh (30 March 1853 ?C 29 July 1890) was a Dutch Post-Impressionist artist. Some of his paintings are now among the world's best known, most popular and expensive works of art. Van Gogh spent his early adult life working for a firm of art dealers. After a brief spell as a teacher, he became a missionary worker in a very poor mining region. He did not embark upon a career as an artist until 1880. Initially, Van Gogh worked only with sombre colours, until he encountered Impressionism and Neo-Impressionism in Paris. He incorporated their brighter colours and style of painting into a uniquely recognizable style, which was fully developed during the time he spent at Arles, France. He produced more than 2,000 works, including around 900 paintings and 1,100 drawings and sketches, during the last ten years of his life. Most of his best-known works were produced in the final two years of his life, during which time he cut off part of his left ear following a breakdown in his friendship with Paul Gauguin. After this he suffered recurrent bouts of mental illness, which led to his suicide. The central figure in Van Gogh's life was his brother Theo, who continually and selflessly provided financial support. Their lifelong friendship is documented in numerous letters they exchanged from August 1872 onwards. Van Gogh is a pioneer of what came to be known as Expressionism. He had an enormous influence on 20th century art, especially on the Fauves and German Expressionists.  Related Paintings of Vincent Van Gogh :. | The Road Menders (nn04) | The Olive Grove | Self-Portrait (nn04) | Vase with Flowers, Coffeepot and Fruit | Still life with Grapes,Pears and Lemons(nn04) |
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fredrika bremer
was a Swedish writer and a feminist activist. Fredrika Bremer was born in Åbo (Turku) in Finland but moved with her family to Stockholm when she was three years old. She grew up in Stockholm and in the manor Årsta outside Stockholm. Her father was described as somewhat of a house tyrant, and her mother was a socialite, and she and her sisters where brought up to marry in to the aristocracy; a trip on the continent 1821-1822 was the finishing touch of her upbringing before her debute. Bremer was not comfortable with this role, and was inflicted by a crisis, which she overcame by charitable work in the country around Årsta. In 1828, she debuted as a writer, anonomously, with a series of novels published until 1831, and was soon followed by others. Her novels were romantic stories of the time and concentrates on women in the marriage market; either beautiful and superficial, or unattractive with no hope of joining it, and the person telling the story and watching them is often an independent woman. She wanted a new kind of family life, not focused only on the men of the family, that would allow for women to develop their own talents and personality. By the 1840s, she was an acknowledged part of the culture life in Sweden and was translated to many languages. Politically, she was a liberal, but also felt symphaty for the socialism of the English working class movement
Corot Camille
French Realist Painter , 1796-1875 French painter, draughtsman and printmaker. After a classical education at the Coll?ge de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family's continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon's death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers
Johann Heinrich Fuseli
1741-1825 Romanticism Swiss






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